Filed under: art, writing | Tags: arts funding, patreon, patronage, writing for dollars
I recently published one of the first blogs I’ve posted since I joined Patreon. This means that for the first time, I will actually be paid for writing this stuff. It’s not a lot. At my current numbers, I’ll make $20. But it feels tremendously different than making no dollars for my writing.
I’ve only been paid as a writer a couple of times before (for productions of my plays at theatres and schools.) This is the first time, though, that I’ve been in a position to know that I would get paid for something I put out in the world. That is, I make something with the knowledge that there will be a financial return. It feels good, it feels direct and I start to understand what it must feel like to regularly be paid for things you value.
It feels so good to have a squad of people who like my work (or me) enough to want to support it or me. It makes me want to be better, do better, just for them.
In addition to feeling really good, this new patronage has started to shift the work itself. It’s not changing the writing so much yet. With the exception of this one, most of the current wave of blogs were written many months ago. But patronage has made a big impact on how I edit these things. It means that I take more time to look things over, to re-write. I take 4 passes at it, instead of 2. It means that I take the time to find the perfect links within a post. I take time to find the right images and I take more care with the way the text makes the switch from my word document to the wordpress platform. In general, the $20 my patrons are donating are paying me for those extra hours of care. Partly this is because I know people are paying for it but also because I know people are interested enough to support it and/or read it.
The pledges I’ll receive each time I post a blog are still nowhere close to paying me minimum wage for the hours I put into blogging, but they are a vote for this work rising up my priority list.
As a freelancer, I spend the majority of my time doing things that may or may not yield direct results. I go to networking events with the hope of meeting future clients. I update my websites with the hope that someone might end up there and hire me. I make posters and hang them in the appropriate locations. I fundraise for a project, which hopefully will be enough to pay me too. Very few things I do are a direct exchange and much of my time is spent trying to work out which thing will rise to the top of my to do list.
So this – I-write-something-and-get-paid-thing feels pretty revolutionary to me.
So, while this is, yes, a big thank you to my Patreon supporters (Thank you!) It’s also a plea for arts funding in the bigger picture. When you fund things you can make them better. Sure, that artist might make her dance without $20 . . .but $20 might buy her an extra hour of rehearsal space and that extra hour of rehearsal space allows the dancers to really drop into the piece, moving it out of adequate and into excellence.
The more directly you fund art, the more difference you will make in the work itself. That is, when you fund artists directly, rather than institutions, you can you’re your donations have immediate impact on what they are able to create. Take it from an artist who will be paid directly for her work, for the very first time.
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