Filed under: art, business, Rejections | Tags: martini, patreon, patronage, rejection
Over on Patreon, a small but amazing group of people have pledged to donate a little bit of money each time I post a blog here on Songs for the Struggling Artist. The experience has been very moving to me and has made a difference in a number of ways.
1) It helps me to get closer to winning the rent game every month
2) It helps me feel like I’m not writing in vain – that there are people who support me in doing it, every single time, no matter what kind of crap I set down. (And the process of being any kind of artist means setting down some crap sometimes.)
3) Ever since one of my patrons suggested using the blog and Patreon to help solve my dilemma around the constant rejections I was receiving, I have found myself able to apply for a number of things I might otherwise have missed.
I’ll explain that last one. Every time I get a rejection notice, I write a blog. When I post each blog to Patreon, I get a little bit of money. Not a lot. But enough to make a difference. For example, there was a residency that sounded great but with an application fee of $25, it was cost prohibitive to apply. When you’re struggling to pay the rent, putting up $25 to probably be rejected by something just isn’t good math. But now that each of my rejection notices earns me a little bit above that (as long as I write a blog,) I will actually MAKE a little money on that rejection letter. The math gets a lot better and allows me to apply for things I could never have considered before.
Another example: Last year, I was rejected for a program that I really really wanted to get. That application came back around this year and I had nothing to propose but the same project that had previously been rejected. To apply again would be, sure, on one hand, a good idea, just in case – but almost certainly sure to yield me another rejection notice.
Before Patreon, I would have saved myself the time and trouble and pride swallowing and just let that application deadline slide on by. But because I knew my patrons were in my corner, I swallowed the hurt I’d felt from the previous rejection, polished up the play I was submitting and gave it another shot. Now, I could maybe afford to buy myself a martini when I get rejected again.
If I could find a way to progress in my artist career without this roller coaster of application and rejection, I would – but for the moment, the only way out of it is through it and the more help I have in the slog, the more likely other ways open up. I would never have thought of this solution but I’ve found it to be a profound one. And I wonder what other secret solutions for solving the arts crisis are waiting to be discovered.
Are there other secret Arts Supports hiding out there that we don’t yet see? If you’ve seen them, let know. It feels important to share.
I read this review of a book about what’s happening to the Arts and Journalism and creativity in this country. It is a terrible crisis. The review beautifully (and painfully) sums up something I feel at a gut level. Read it if you can. And as an antidote for the troubling news in it, keep your eyes open for other models of support – like the one that is currently making such a difference in this artist’s life.
Want to join the merry band of awesomeness that is my group of patrons?
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