Songs for the Struggling Artist


Feeling American

Never do I feel more American than when I travel abroad. At home, my identity tends to be more specific – the city I was born in, the state I’m from, the city I live in or the borough in that city or even the neighborhood in that borough. I don’t feel American in America – partly because I have always felt so countercultural. Americans are like THIS and I am like THAT. I have tended to identify more with other cultures. I have even (unsuccessfully) tried to emigrate in order to be in places that align more closely with my interests and values. If European countries had looser immigration policies, I would have moved there long ago. But…I am American. And going abroad always helps me appreciate the good side of that, in times I’m mostly seeing the bad. I have enjoyed those moments when my Americanism becomes obvious – when my friends abroad tease me for my optimism or my accent.

During my recent trip abroad, I found myself in a new position with my European friends. American politics are in the news everywhere there. As one friend told me, the first story of every news broadcast is whatever crazy thing Trump did that day. Before any news of their own country, they get news of ours. My friend was understandably frustrated by that. Trump is happening to everyone in the world, not just to us Americans. My friends felt the need to vent about him, to imitate his speech or his mannerisms. They are laughing about the horrors they’re seeing and they want to laugh with me, their American friend.

The thing is, though, I’m not finding the current political situation funny. It is not amusing to hear imitation after imitation of the man who makes my skin crawl, to hear his faults listed and marveled at and analyzed – as if he were just a character in a play. To me, it feels as though 45 or Lil Donnie T or He Who Must Not Be Named (see why here…) is an arsonist who has set fire to my house and is blithely watching it burn. Every time someone imitates his speech or his gestures, it’s like looking at another face of the person who traumatized me. Objectively, I understand that he’s funny (or maybe more precisely – buffoonish and ridiculous) but emotionally, it’s horrifying.

I’m from here. I live here. My house, my America, however embarrassing it can sometimes be, is mine. Having this house, this America, was something that I could always rely on in the past. I had a certain amount of privilege in that house and others could not rely on it as much – but there were certain things we expected to remain. I grew up with a relatively stable government and a kind of classic American optimism that justice would prevail, even when all evidence pointed to the contrary. It wasn’t a perfect house but it was mine and now it is on fire. Every day I do something that I hope will help put out the fire but I fully expect the place to be a pile of ash before too long. I throw a thimble full of water on the fire, next to dozens of others, all of us, hoping to put it out…but knowing that it might take much more than our water to do it.

On election night last November – I fully expected us to be in the middle of the new Third Reich by now. I was emotionally preparing for concentration camps and firing squads. I am not convinced we are free of that threat. Our issues may seem funny from a distance but here inside, we are watching a man with the ability to push a button and start a global nuclear war pick fights with everyone from kids on Twitter to world leaders who have similar access to weapons and who might be very glad to see Imperial America get its comeuppance. And if you believe that our famous checks and balances would prevent a nuclear holocaust, I would point you to this terrifying episode of Radio Lab.

We are watching what we thought was an increasingly tolerant and progressive nation become entrenched in increasing white supremacy. My seemingly peaceful hometown has become a site that white supremacist groups are targeting for their parades and rallies and celebrations. (And I would like to point out that I wrote the previous sentence back in July, before the Nazis showed up.) Even NYC, which, we who live here think of as a bastion of tolerance and diversity, has seen a disturbing trend of hate crimes. SPLC reports that hate groups have risen dramatically.

From where I’m standing, America is on fire and it will be ashes before too long if we can’t stop it. “Is there any hope?” my European friends ask. Sure. Yes. I guess. Every day a new batch of amazing people throw water on the fire. The resistance is persistent and powerful and fighting like hell. If you want to watch some extraordinary fire fighters in the middle of the government, follow Representative Maxine Waters, Representative Ted Liu, Senator Kamala Harris, Senator Elizabeth Warren. There is perhaps some hope that our Checks and Balances will find a way to check this fire. The on-going Russian investigation, the increasing calls for Impeachment, the way one Republican Congressman described how he could not go anywhere without women getting up in his grill…there are drops of hope and maybe all the drops will eventually put on the fire.

But meanwhile, please remember that our house is on fire and most of us are just barely keeping it together.

We need your help. Especially those of you who have lived through repressive regimes, through corrupt governments. You could be forgiven for just wanting to laugh at us, for just wanting to enjoy the schadenfreude of watching a nation that has been acting a bit too big for its britches finally get a comeuppance. America was probably due a reckoning given the way our governments have tended to go about the world like we owned the place – but remember that you have friends who were as dismayed by that, then, as you were. Perhaps more. It may be pleasurable to watch some madman set fire to the gaudy mansion on the hill – but remember that there are people inside, burning. People are dying now. Literally. We need the wisdom of the past so we do not end up repeating it. As Americans we have enjoyed an incredible amount of freedom and privilege before now and some of us were not prepared for the revocations of any of those things.

I learned, not long ago, about David Goodhart’s idea that culture is dividing into two worldviews – people from anywhere and people from somewhere. He defines Anywheres as mobile, educated, autonomous, open and fluid. Somewheres are more rooted, less well educated and value group attachments, familiarity and security. It is his explanation for Brexit in the UK. It also makes sense for our American situation. And I am very much an Anywhere. One thing that this burning-house-feeling has done for me, as an American Anywhere, is to make me feel my American-ness as acutely as I do when I’m abroad. I feel simultaneously more American than I have ever felt before and also deeply alienated from it. In the chaos, my sense of my Anywhere-ness has led me to become more of a Somewhere. When my hometown was attacked, I felt more from there. As my country struggles, I feel more from here. This year has made me feel as American as I feel when I’m away. It is a curious shift from being so firmly in the Anywhere camp to suddenly identifying with my Somewheres.

I am American, for good and ill. But I am from somewhere. And it’s here. While there is still a here to be from, I am from here.

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Writing on the internet is a little bit like busking on the street. If you liked the blog and want to support it but aren’t quite ready for patronage on Patreon, You can tip me a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist

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A Remedy for What’s-the-Point-itis

Because one of my beloved collaborators loves the work of Monica Bill Barnes, I sought out a performance. As soon as I saw Happy Hour, I, too, was in artistic love. I laughed and cried. I laugh-cried and cry-laughed. It was one of those shows that made me feel as if there might be a reason to go on. I’ve seen it multiple times.

I’m not going to lie; there are some days in this artist’s life in which I get a bad case of What’s-the-Point-itis. When the labor and heartbreak of making theatre just doesn’t seem equal to the reward. For me, seeing Monica Bill Barnes and Company perform is a great cure for that feeling of wondering what the point is. Good art is the point.

Monica Bill Barnes’ latest show (One Night Only) was no exception in this way – but it also brought to the surface a new “-itis” that I wasn’t quite sure what to do with at first. I learned in this show that Monica Bill Barnes and I are the same age. I learned that we share a lifelong commitment to our respective art forms. And in learning about the cost of that commitment to the dancers during the show, I learned about the cost of my own.

This may be a spoiler (DANCE SPOILER ALERT – skip ahead if you’re going to this show and would prefer not to know what’s going to happen -) but towards the end of the show, the two dancers listen to a list of injuries they have sustained over their lifetimes in dance, as we watch them continue to dance. There is a concrete cost to dedicating your life to dance and as I listened to it, I cried my face off.

Partly I cried out of admiration for the performer/creators who are facing the accumulation of that cost (for my benefit as an audience member) and for whom there is a finite amount of time to continue to dance the way they want. But I think I also cried for all the things my own dedication to my art has cost me. I can’t list them for you, not by year or by category – but watching this show made it very clear to me that all these years of dedication to art have taken a toll. Is the toll physical? Maybe not directly – but as everything that happens to us mentally, emotionally, spiritually, happens through the body, I don’t see how it couldn’t be. There is a cost to this kind of dedication. I knew there would be costs and I made my choice to pay that cost willingly a long time ago. But that doesn’t mean I don’t have scars.

Watching an artist (who is my peer in age and commitment) honor the injuries, the pain and the cost along the way helps me honor my own. Seeing the sacrifices of a life dedicated to art laid bare, I can see my own dedication, my own sacrifices and how hard the road has been but also why it was worth it.

Seeing the cost, I also understand the point. The point is that we keep dancing, we keep writing, we keep creating, we keep producing, we keep performing, we keep making things because art is important to our humanity and each encounter with it, whether in the audience or on the stage, has the opportunity to teach us something about ourselves.

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One Night Only is still running for another couple of weeks, click here for info. And Happy Hour comes back soon, too, I think.

photo of Happy Hour by Grant Halverson (I lifted it from MBB&Co’s Website.)

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Age is a Feature Not a Bug
September 21, 2017, 10:19 pm
Filed under: age, music | Tags: , , , , , ,

She told me her voice wasn’t what it once was. She’d taken time off from singing to raise her kids and was now coming back to it – distressed that she was not as perfect as she once was. There was a sense that her lived-in life had diminished her instrument.

I, too, had left aside my singing for a bit. Not entirely, of course, but aside from the occasional song for a friend, I hadn’t really kept at the technical practice of vocal performance. But ever since the election, I have leaned back into music and find myself singing again – because it is the only thing that makes me feel better. Raising my voice in song is how I express my fury, my fear, my determination to fight for the things I believe in. And I’ve been around the block a few times so my voice is not as technically proficient as it was, once upon a time. And I find that I really don’t care. I don’t care if I don’t hit a note with the exact tone I was imagining. I don’t care if a sound comes out strangled that I meant to sound clear. When I listen back to moments like that, I find that I like that catch in my voice. It is what I feel now. That catch is a feature not a bug. My age is a feature, not a bug.

A lived-in voice is a feature, not a bug. It’s funny to use a tech metaphor for something as organic as a voice but it leaped to mind when talking with that mother coming out of retirement. Her years of experience, of life, are a gift, not a problem.

I started going to voice lessons as a child and continued into college. My first year without regular vocal training was the year I spent abroad, in Italy. I did no vocal exercises, made no attempt to expand my range. I just sang and spent my year leaning into a new culture. When I came back to college, after I sang – one of my teachers said to me, “That was some year you had.” I didn’t know what she meant right away but something about it eventually helped me understand that she could hear the year in my voice. My year of learning a new language, growing bolder and opening up to new experience was all there in my voice. I don’t want to say she could hear the hills of Tuscany in what I sang but that’s how I imagined it.

Of course there are technical ways we can explore and expand our voices. Of course vocal training and coaching are incredibly useful and valuable. But our voices are more than simple instruments. We respond to the lives of the people who sing to us and to be able to hear the years in a song is to hear the agonies and the ecstasies, the thrills and the tedium, the passion and the despair. That is a great gift.

I want to hear the voices of mothers, of fathers, of grandmothers and grandfathers and all the adventurers among them. Your life, your years are a feature – not a bug. Give us your voices. Raise them in joy, in fury, in protest or in peace. Even if it catches, even if it cracks, even if you don’t like the sound – we need to hear you now.

You can help me keep singing by

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Click HERE to Check out my Patreon Page

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This blog is also a Podcast. You can find it on iTunes. If you’d like to listen to me read a previous blog on Soundcloud, click here. And I usually sing at the end, if you want to hear that.screen-shot-2017-01-10-at-1-33-28-am

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Writing on the internet is a little bit like busking on the street. If you liked the blog and want to support it but aren’t quite ready for patronage on Patreon, You can tip me a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist



Apparently, Being a Sexist Jerk Pays Well

Perhaps this isn’t news to you. Probably especially not this year. Not in 2017 when we’ve seen one of the biggest sexist jerks around continue to profit on his sexist jerkholery. But… this isn’t about that. This is about a smaller corner of the sexist landscape.

One of my feminist heroes is Anita Sarkeesian who has been making videos at Feminist Frequency since 2009. My personal favorites were her looks at Legos and her explanation of the Bechdel test. (This was before the Bechdel test was common knowledge – an evolution that I suspect that Sarkessian had a hand in.) You may have started to hear about her after her Kickstarter campaign to make videos about women in videogames triggered a terrible hate campaign against her. Then the parade of horrors known as Gamergate began to target her as well.

I recently read an article about her experience of speaking on a panel at a video conference and being harassed in person. There’s a lot to take in in this article – but the thing that shook me rather badly was the fact that two of the leaders of Gamergate and Sarkeesian’s harassers-in-chief both make their living from making videos about their harassment and get their support through Patreon. The article reports that one makes $5000 a month from his videos and the other $3000 a month.

Why did this particular fact shake me? Because I use Patreon, too. I think of it as a noble enterprise providing funding for artists of all kinds, a new patronage. Knowing that the architects of one of the most infamous harassment campaigns in the last few years are receiving support on the same platform that I use makes me incredibly uncomfortable. And the fact that they make six times more than I do at it makes me feel even worse.

The disturbing truth would appear to be that being a sexist harasser is more profitable than being a feminist writer. And it has likely always been thus. Patreon is just highlighting a pattern that has been long established in the culture. It seems like capitalism works really well for sexists. That may be one reason the sexism sticks around.

Also, in the wake of recent events, it has come to light that a great many of the men in white supremacist movements got their start in MRA movements, that is – Gamergate was the gateway drug for joining the ranks of white supremacy. The one thing mass murderers and terrorists have in common is a tendency to be domestic abusers. It is the number one predictor of future violence.

I mean, it makes sense. If you begin by not seeing women as human beings, by being cruel and threatening to people you don’t see as people, by fantasizing about violence, why not expand into hating more people? You’ve already begun by hating half the population. You might as well, I guess. There is a major connection between these men’s inability to see women as people and leaning into white victimhood. As this article in The Cut says:

“If you can convince yourself that men are the primary victims of sexism, it’s not hard to convince yourself that whites are the primary victims of racism.”

I wrote the first draft of this earlier this summer, before the invasion of Charlottesville, before the lid was removed from the pot on the depth of depravity of the revitalized white supremacists and some things have changed and some have not. On the plus side, some tech companies stood up and denied service to hate groups they were previously hosting. Patreon sort of is and sort of isn’t standing up on this point. They removed right-wing activist, Lauren Southern, from their platform. This led her supporters to invent something called Hatreon. Where, I guess hate groups can crowdfund themselves in peace? Anyway – turns out this woman didn’t get cut from the platform because she’s spewing hate, she got cut for “risky behavior.” Meanwhile, Sarkeesian’s harasser-in-chief has increased his monthly take on Patreon from $5k to $8k in the last few months. It’s not getting better, folks, it’s getting worse.

When I read this story about Sarkeesian’s experience, I thought – “Should I leave Patreon? Is it right to be a part of a platform that enables sexist harassers?” and I think, if there were another platform like Patreon, I would switch to it immediately. (Like, “Actual Art-eon”? “No Nazis, just Art-treon?” I don’t  know.) I thought Patreon was a place for artists not harassment campaigns …but as no one has yet developed an artist funding platform for feminists, I think my best move is to stay where I am and somehow find a way to at least match the funding of the sexist jerk brigade. So if you want to help this feminist writer do at least as well as a sexist jerk, click here to find out about becoming a patron.

It’s possible right? For a feminist to do better than a sexist? Damn, I hope so.

And it doesn’t have to be me. I want to boost feminists and artists of color and people with disabilities and anyone else who is particularly vulnerable to the evils of hate. I did a search in Patreon and I gotta tell you, my extremely unscientific survey says, it pays a WHOLE LOT MORE to be a sexist jerk than to be a feminist. Or just to be a woman.

Here are some suggestions of some underfunded artists:

Jay Justice. Cosplayer, costumer, builder, gamer, writer, etc

Feministing for Change

Women in Comics Collective International

Disability Visibility Project

STEM and Disability Activism

Transgender Civil Rights Activist, Danielle Muscato

Marina Watanabe – Feminist Fridays

A Feminist Paradise

Feminist Killjoys, Phd

Monica Byrne – feminist sci fi writer

Faithless Feminist

Bree Mae – Disability, Queer, Mental Health advocate

I only knew a couple of these before I started searching, if you are a feminist or intersectional activist I can boost here, please let me know. I want us all to do better than the sexist jerks.

 

The 2016 Best of the Blog and Thank You notes for my patrons.

You can help me beat the sexist jerks by

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Writing on the internet is a little bit like busking on the street. If you liked the blog and want to support it but aren’t quite ready for patronage on Patreon, You can tip me a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist

 



Generation X Part 6 – Selling the Drama

We are the few, the proud, the brave members of Gen X who continue to make our way through the world while many of our peers have given up.

Do you remember, before we were Generation X, when we were the Pepsi Generation? Right about that time that Michael Jackson’s hair caught on fire? We were told that Pepsi was the choice of a new generation and there were videos and apparently our generation bought into it hardcore. We were also Peppers. Wouldn’t you like to be a Pepper, too? But that Pepsi Generation technique was actually a marketing campaign for Baby Boomers first and it worked so well for Pepsi when Baby Boomers were kids that they thought they’d try it out on us, too. And all the generations after. How you like Pepsi, Generation Next? Feel like joining the conversation since you “are the movement, this generation“? A lot of the conversation about generations is actually driven by advertising.

I read an article about an ad campaign for Lululemon wherein they’re targeting “the Yoga generation.” And which generation is that? As far as I can tell, every generation is doing yoga. My grandmother was doing yoga in the 70s and she was the Silent Generation. So that’s dumb. But…that’s what I mean, they’re trying to put you in a generational category so they can sell you stuff. I say you, not me, because advertisers are apparently not targeting Gen X-ers, because there are so few of us.

And here I think we have the heart of why Gen X tends to resist being labeled. We somehow have always known that once a marketer could label us, they were getting ready to sell us shit. But what’s hilarious is that marketers worked this out about us anyway – so they got sneakier with us when they still cared about us. I once bought a record almost entirely because of it’s ironic cover.

What’s ironic is now that Gen X is older, some members of Gen X have more money to spend but advertising has (mostly) stopped trying to reach us. Which probably explains why there’s been a recent bubbling up of Gen X articles. Marketers are perhaps getting interested in us again. For good and ill, I imagine. Just google anything to do with advertising and Gen X and you will see such an extraordinary trove of weird articles about how to advertise to us. Actually, search how to market to any generation and you’ll see some eye opening stuff about what’s going on behind that advertising curtain and where you might be vulnerable.

So Millennials and Gen Z, just in case you’re still here…I think it might be useful to recognize that when you see articles and listicles and so on and so on that reference your generation, you are probably being marketed to. The condescending pieces about you that make you mad may be designed to encourage you to spend your money on something or just click on something to get an ad near your eyeballs. The imaginary rivalries between Gen X and Millennials, or between Millennials and Boomers, are essentially clickbait for the people trying to sell you stuff.

As we now carry devices that have the capacity to market to us everywhere we go, we all need to become savvier about our vulnerabilities to advertising. As marketing becomes more personal and more direct, it will become harder and harder to remember our humanity. It might be helpful for all generations to take on some of our good ole Gen X skepticism.

We seem to now live in a world of relentless marketing. And it’s not just businesses who are marketing at us. The new norm seems to be a kind of marketing of self. People have become brands instead of individuals.

Most of Gen X has a gut response to this trend and it is a strong-armed revulsion. To us, this branding of people carries all the horrors of the origin of the word – the branding of cattle with a hot iron. For most of Gen X, this branding of the soul is relentlessly uncool. We liked our icons reclusive, uninterested in self promotion, and intensely private. Prince once gave an interview to the BBC wherein he neither spoke nor showed his face. Both Kurt Cobain and David Foster Wallace were incredibly uncomfortable with their own popularity.Can you imagine a Cobain clothing line? A David Foster Wallace cologne? For us, as soon as a band became popular, it ceased to be cool.

But we live in a gig economy now and if we want to survive, we must do as the digital natives do and put out all of our goods for clicks and likes. We cannot be the reclusive geniuses we want to be because the world doesn’t work that way anymore – And maybe it never did.

Every Gen X-er I know is deeply uncomfortable with self promotion. We recognize that we need to sell our book or our record or our blog or our podcast or our show or our theatre company or our business or whatever it is but it is highly problematic for us.

If we do it, we tend to see it as a necessary evil. I’ve taken multiple marketing classes and despite having a lot of knowledge and skill at my disposal, I have generally yielded next to no results. While attempting to sell my show in the highly crowded market of the Edinburgh Fringe, I discovered that the only real marketing skill I had – that is, the only thing that would reliably bring people to the theatre – was making friends. Like, actual friends. This is the only successful marketing I have ever done. I made some friends who showed up for me because that’s what friends do for each other.

I have had a podcast for over a year and I am so bad at self promotion that most of my best friends don’t even know about it.

And maybe it is just me. Maybe I’m the only one (see part 4) that is unwilling to trade my authenticity for more likes or hits or shares. Maybe I’m the only one that closely guards my best work until I’m ready to share it. Maybe I’m the only one that would rather share my truth than a promotional photo. I don’t think I’m the only one though.

Gen X tends to see the world that has emerged behind us as a life-sized version of that SNL sketch “You Can Do Anything!” We see that kind of self-promotional vibe as not only terminally uncool but completely at odds with authenticity, which is one of our core values.

I really do admire the hutzpah of Lena Dunham in having her character announce at the beginning of her show that she is the voice of her generation (or “a voice of a generation.”) This is something that no Gen X-er would ever do, even if she wanted to. Even as a joke. And Dunham was definitely joking. I dig the gutsy self-aggrandizement of it and I dig that it made her extremely popular.

Most of Gen X would rather be authentic than popular. We would rather be true to ourselves than just about anything else. I wonder if, in addition to the small numbers of us, our general lack of interest in self-promotion is a factor in our invisibility. In a world where everyone seems to be shouting about how great they are, Gen X is sitting in the corner, making something totally cool that few people will ever see.

I wonder if this is part of why there have been so many think-pieces about how Gen X is going to save the world, how Gen X is our last hope, etc. I think this is how we like to be seen – as the quiet secret heroes – chronically underestimated but swooping in at the last minute to save (and astonish) a grateful world. This image appeals to us. But frankly, even after reading dozens of these articles, I have yet to be convinced that somehow Generation X has the secret world-saving serum. I’m pretty sure we’re going to all have to get together to get that done. Generation X would like to do it alone but this is a job that’s going to need all generations on deck.

This is Part 6 of a multi-part series. and

You can read Part 1 here Part 2 here  Part 3 here

Part 4 here

Part 5 here

Help a Gen X-er with this self-promotion thing

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The Library Rejection
September 3, 2017, 5:00 pm
Filed under: Rejections | Tags: , ,

Decades of rejection can give many of us a pretty thick skin for this sort of thing. We assume we won’t get the thing we spend hours (or days or weeks) applying for. We assume the reward for the work of applying will be naught. That doesn’t mean getting rejected most of the time isn’t discouraging. It is, greatly. But I’ve found the will to keep doing it mostly due to the generosity of my Patreon patrons and my chronicling of the rejections.

But every so often, without meaning to, I discover that I’d gotten my hopes up too high. And I discover it in the crashing disappointment that I find myself in upon learning of the rejection.

This most recent crashing disappointment was partly a surprise because of a particularly potent mix of long-shot and being perfect for the thing. The thing this time was a residency at the Boston Public Library for a book for young people. Now – it was a long shot because I have spent most of my life in the arts in theatre, not fiction, so I don’t have much of a fiction resume. But I was kind of perfect for it because my book for young people takes place in a library, in which librarians are the heroic figures and is called The Library Book.

I mean, it’s like, made for a residency in a library. So I simultaneously thought, “They’ll never give me this” AND “My book is perfect for this.” And I guess both things are still true.

I had been, without really realizing it, waiting for this rejection letter (or the acceptance, I thought maybe an acceptance? This time?) I was planning some dates for my theatre season and realized I wasn’t comfortable booking dates because a part of me was still waiting to hear from the library folk. So I looked at the application again. There, I saw that it said that they would notify the recipient by June 30th – which is now quite a while ago. So – I guess they’re not bothering to tell the rest of us that we’re out the running. Sometimes I don’t even notice I haven’t heard from a place until I look at my list. Sometimes it has no impact on me at all. This time it sunk me like a lead balloon. And logically – it would be a real pain in the neck to relocate to Boston for 9 months – so maybe I should be relieved. I should be. But I’m not.

 

*Wondering why I’m telling you about all these rejections? Read my initial post about this here and my patron’s idea about that here.

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist



Will You Wish You’d Been There?
August 31, 2017, 12:19 am
Filed under: advice, resistance | Tags: , , , , ,

Listen you guys. I hate going to protests. They’re loud and shouty and there are crowds there – usually big ones – and that’s sort of the point.

But sometimes I make myself go despite my natural inertia – you know, that thing that makes it easier not to go than go. And given that there are protests nearly every day now, it can be hard to figure out whether it’s a time to hit the streets or a time take care of myself. My barometer has become: Will I Wish I’d Been There?

Here’s the thing. When it became clear what was going to happen in Charlottesville on August 12th, people were advised to stay away. From what I understand, the recommendation was that only those with appropriate training and a whole lot of willingness should show up. In general, the Southern Poverty Law Center’s advice is to steer clear of assembling hate groups. The SPLC is a bad-ass organization and has been tracking hate groups for a mighty long time. They’ve been in the trenches of this a whole lot longer than most of us, so people are usually inclined to heed their advice. And that advice rather conveniently lines up with most people’s natural inertia. It is much easier to sheetcake than to risk your life by going where the trouble is.

But. But. Many who heeded that advice in Charlottesville now regret that decision. Despite all the horrible things that happened, I know a lot of people who wish they’d been there. Not to kick-ass or knock-heads but to support, to help, to be physically present for vulnerable people.

I thought I’d be glad I was 500 miles away when this was set to go down but now having endured it at a distance, part of me wishes I’d been there, if for no other reason than to hand medics water and hug people who needed hugs. Simultaneously, I’m glad as hell that no one in my family was too close to the fray.

It is an incredibly odd sensation – to wish vehemently for everyone you know to stay as far away from harm as possible and to somehow wish yourself there.

And no one is more surprised about this response than me. I am not a rush into a fire sort of person. I hate conflict so much, y’all. I can’t even watch a heated debate without my heart-rate escalating and getting super anxious. I am an HSP (Highly Sensitive Person) with a precarious health situation. I do not really belong at a protest that has the potential to become violent. Given all of that, I thought I would have wanted to be as far away from such things as possible. But – I find I wish I’d been with my friends in the middle of the most dangerous moment in my hometown that I’ve ever known about.

I’ve heard from a lot of people that feel the same way. There was that article in the New York Times from the parent who made the decision to steer clear because of their child but now regrets that choice.

“I now believe we made the wrong choice. Does my status as a parent make me special? It shouldn’t. A young man named Dre Harris was ambushed in a parking lot and took dozens of blows by club-wielding thugs. He took them so I wouldn’t have to. Next time I will stand on the street with my neighbors, even at the risk of injury or death. It’s the least I can do to repay those who stood bravely this time.”

It is always easier to choose not to show up. And those who have been going to these sorts of demonstrations know better than anyone what sorts of risks are involved. That’s why they have to advise you not to go.

And everyone has their own acceptable level of risk and their own metric for participation in fighting for good.

My metric is clear now. It is “Will I wish I’d been there?” And most times the answer is no. But when it’s yes, it’s time to go. On one side, is my personal safety – but on the other side is a fight for the greater good. Sometimes it’s better to be there.

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Side note: The news cycle has moved on (as it does) from Charlottesville to Texas. I’ve seen a lot of folks wondering how to best support the folks in Houston. I recommend this list: http://noredcross.org/

And while the national news has moved on, Charlottesville is still reeling and regrouping. This is the most comprehensive summary of ways to support folks there:  this list on Google Docs.

Will you wish you’d supported me later?

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