Songs for the Struggling Artist


Announcing My New Podcast (You know – for kids!)

Introducing Reading the Library Book – a podcast in which I read my novel for young people one chapter at a time. Part audio book and part writing workshop, the podcast invites young people to be a part of the writing and editing process of novel writing.

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I wanted to find a way to get feedback from young people about my novel. As a playwright, I am accustomed to being able to watch and sense my audience. This helps me work out what bits are really working and which might be expendable. Due to a novel’s length, it is very tricky to utilize similar barometers for this new project. I can only read so much aloud at a time and to so many people at once. The podcast will allow me to share my work in progress with friends around the world and to (hopefully) receive some thoughts about what young people are responding to when they listen to it.

The podcast will also serve as a commitment device for me. The trickiest part of this novel writing process has been finding the time and the will to do the major editing – if I have a group of young people waiting for me to read them another chapter, I cannot drag my feet.

This process blends a few separate strands of my creative life and practice. While this is my first novel, I’m finding many parts of my identity weaving together in this new venture. Certainly, my experience of podcasting and blogging helped support the speedy launch of this new one and my experience as an arts educator gives me some ways to set up an open, supportive space in a new venue. My theatre practice has given me many ways to listen to feedback and ways to be specific about asking for it. And I even made myself a quick theme song for the whole affair.

If you know a young person who likes books, please share this with them. I’m not entirely sure of the age range yet. (That’s part of the reason I’m doing this podcast. I want to find out!) I imagine it’s somewhere in the 8 – 12 range. But my first listener was six. Basically if you’re reading Harry Potter or The Girl Who Circumnavigated Fairyland, you should be fine. It’s not nearly as scary as those books either.
Thank you!

This is the current blurb:

Leandra spends most of her time in her local library. When the library’s books and librarians vanish, Leandra sets off on a quest to find them. Following a mysterious trail of red leaves through a leaf-pile, she discovers Akita, the fantastical Global Library, where libraries come in all shapes and sizes. With her new friend, Ammon, the Wandering Librarian and his library (a camel,) Leandra investigates the disturbing trend of all kinds of books and libraries disappearing. Are those her books paved into the ballroom floor? And what are those strange books wrapped in burlap and twine that seem to send people to inhospitable places as soon as they open them? Who is behind the cryptic messages and illustrations that keep appearing in her library book? Is it The Chair? Or reclusive author, Dorothea Crane? The fate of them all rests in one young girl’s book-loving hands.

This blog is also a podcast. You can find it on iTunes.

If you’d like to listen to me read a previous blog on Anchor, click here.

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Every podcast features a song at the end. Some of those songs are now an album of Resistance Songs, an album of Love Songs and More. You can find them on Spotify, my websiteReverbNation, Deezer and iTunes

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You can help me with all my creative projects of all stripes

by becoming my patron on Patreon.

Click HERE to Check out my Patreon Page

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog (but aren’t into the commitment of Patreon) and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist

 

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The Guys
January 31, 2017, 12:54 am
Filed under: art, comedy, feminism, podcasting | Tags: , , , ,

In addition to making my own, I listen to a lot of podcasts. In my feed consistently for the last 7 or 8 years has been Marc Maron’s WTF, wherein he talks with people – mostly from the entertainment biz. I’ve learned a lot- but one major thing that I don’t think I would have known without this medium, is the way male entertainers talk to each other.

In most of these conversations, at some point Maron will ask his guest “Who were your guys?” He’s asking who inspired his guest…who they idolized, who they looked up to. And there is a mutual understanding about this long line of guys – which guy inspired the current guy in the guest chair. I have never once heard a woman come up on one of these guys’ list of guys. No male comedian will credit Carol Burnett or Lucille Ball with forming his comedic sensibility. No male musician will credit Bonnie Raitt or Billie Holiday.

We live in a “My Guys and Your Guys” world. It’s not just comedy. It’s music. It’s movies. It’s the whole culture. Guys and guys and guys. Guys talking about guys.
I’m starting to think that one of the most radical things a male artist could do would be to credit a woman as one of his guys.

And this is reinforced everywhere. American Theatre Wing made a video about clowns in their Working in the Theatre series and every single clown was a white guy. I guess to work in the American Theatre as a clown, the first thing you have to do is be born a white dude. I don’t blame the clowns. They’re just The Guys and they probably asked the guys who their guys were and so we ended up with this long line of clown guys. But surely American Theatre Wing could have found ONE female clown. Or a clown of color. I know at least ten personally that I would have been happy to recommend. But they didn’t ask me. Because I’m not one of the guys. And the guys sent the team from one set of guys to the next set of guys. It’s a legacy of guyness, passed from one generation to the next.

It’s not just the institutional sexism that perpetuates the current structures, it’s all the guys idolizing the guys before them and hoping to inspire the guys after them and there are the girls who try to be one of the guys in order to be on the list of guys that will be remembered for all time.

But there is no real solid legacy of Ladies. And we definitely need such a legacy. Of course, what might be better are less monolithic lists of “guys” – for men to be as inspired by women and trans artists as they are by their fellow men – and vice versa. Meanwhile, I’m cultivating a legacy of ladies for myself so I can be prepared in case anyone asks me about my guys.

And, as is happening so often in this current moment, the world has shifted rather dramatically since I first wrote this piece. I’m writing this now a few hours after Sally Yates was fired from the Trump administration for refusing to violate the constitution. In the last couple of days, there have been several judges who have similarly been incredibly inspiring in their standing up for what is right. So, as Kamala Harris said over on Twitter, “It is clear that the resistance to Trump’s radical agenda will be led by courageous women fighting for our future.”

My new hope is that these women will inspire more women and in future podcasts, they will be named on everyone’s list of “guys.” I know that throughout our country’s history, women have been at the forefront for social change. I’m reading Rebecca Traister’s All the Single Ladies right now, about how women drove the abolitionist movement, drove the labor movement and much more. Many of those historical women are lost to the common conversation but I hope the new ones will help us create ever stronger lists of “guys” who are also women.

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Want to help me become one of “the guys”?

Become my patron on Patreon.

Click HERE to Check out my Patreon Page

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This blog is also a Podcast. You can find it on iTunes. If you’d like to listen to me read a previous blog on Soundcloud, click here.screen-shot-2017-01-10-at-1-33-28-am

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist



Why I Started Podcasting

You guys. I love podcasts. I can’t call myself a vanguard podcast listener (I wasn’t really in the very first wave of podcast listening) – but I caught on pretty quickly and have been listening for about a decade. And for many of those years, most of the voices in my podcast feed were male. They were the hosts of public radio shows or men interviewing (mostly) men.

In 2012, in the midst of my feminist snap (hat-tip to Sara Ahmed for that term,) I began to really feel the imbalance. I found I was worn out from listening to, almost exclusively, men so I went on a search for women’s voices to include in my podcast feed. That search led me to the Broad Experience (which I love) and for a while things settled there. But then about a year ago, there was a shift…suddenly all the new shows in my feed were hosted by women. And it looks as though I have Public Radio to thank for that.

The fact is, 80% of the podcasts in my feed were public radio shows that were also podcasts. And because Public Radio is publicly funded, they apparently, at some point noticed the imbalance themselves (or savvy listeners wrote in and told them) and took it upon themselves to right the ship by investing in female podcasters. One of my favorite podcasts, Note to Self, is apparently a result of that direct action. The host, Manoush Zomorodi has been talking about this lately in the press and it’s made me really appreciate that we have a publicly funded media that can invest in this sort of thing.

Also, in hearing and reading Zomorodi talk about it, I got inspired to add my own voice to the mix. In the years when I was desperate to hear a female voice on a podcast, I thought I SHOULD start a podcast. Obviously there was a need. But I didn’t want to and I didn’t feel inspired about it. Then Zomorodi started talking about the development of her own voice on her podcast, on the change from being an authoritative, impartial reporter voice to a quirky human one and I thought, “Well, I am a quirky human. Maybe it’s time to do it.”
Simultaneously, I was realizing that even the people who like me the most weren’t able to keep up with reading my blog and I thought, “Maybe people would like to hear it instead. It would mean they could “read” my blog while washing the dishes or whatever.” And so I dove in – at first only for my patrons on Patreon – and then for the public. Some people like it. Some people don’t. Like anything.

But I am glad to be a part of what Zomorodi is calling a feminist revolution. I mean, yeah, if podcasting is a feminist act, then it feels important to add my voice. Both my writerly voice and my ACTUAL voice. Welcome to the podcast revolution. You can subscribe to Songs for the Struggling Artist on iTunes. Or Soundcloud.

So this is about the feminist act of podcasting, yes. The feminist revolution. Allelujah. But also – it’s about how important public funding is. The new trend in lady podcasters happened because public radio is public. Being beholden to the public, publicly funded media has more motivation to right its inequities. I would like for more of our arts to be public. What’s happened in public radio and, by extension, podcasting, is a direct result of a concentrated effort to improve a gender imbalance. We need the same in theatre, in dance, in visual art, in film, in writing… in everything. And we need a concentrated effort through public funding to right all the other inequities as well, to increase racial diversity, for example. Or increase visibility for disability. Public funding for everything. That would be the revolution that would make the revolution possible.

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You can help me stoke the fires of revolution by becoming my patron on Patreon.

Click HERE to Check out my Patreon Page

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist




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