Songs for the Struggling Artist


What I Wish American Theatre Would Learn from the Brits #12 – R and D

My English theatre making friends apply for (and receive) funding for R & D. R & D is short for Research and Development and is commonly thought of in this country as a scientific or corporate exploration of ideas. We innovate in business in this country but not in the arts. You can not get a grant for R & D in theatre here. If you have an idea, you have to be sure it is a good one. You do not get funding to TRY something out. Everything you do should be a winner. This is madness, of course, especially in a creative field. Every idea is not a winner. And without opportunities to try things out, we can not innovate artistically.

You know that super successful, multimillion dollar show touring all over the world, War Horse? It began its life as a small R & D exploration in the National Theatre Studios. Granted it was R & D within the National Theatre and in collaboration with one of the most well respected puppet companies in the world. The odds were good that it was going to work out. But even so – when they began, they didn’t set out to make what we know now as War Horse – they set out to EXPLORE the possibilities of a show that might become War Horse and they took almost a year of solid work to do it. I think that’s why it was so successful. But that sort of thing doesn’t just happen at the National Theatre level. On the Fringe, small theatre companies explore ideas with their own R & D funding. I think this is why British Theatre is dominating the American landscape.

The culture of R & D encourages innovation. It allows for the possibility of failure but also of new ideas. Big businesses know this. Google knows it. 3M knows it. There is all kinds of evidence that innovation comes from having the time and the space to play. We need funding models that allow us to do R & D – to play, to discover, to try things out, to allow us to discover what the show really IS before we have to do the marketing.

You can be a part of my R & D by becoming my patron on Patreon.

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Click HERE  to Check out my Patreon Page

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This blog is also a Podcast. If you’d like to hear me read this, go here.

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist



Ideas and Glitter and Places to Put Them
June 10, 2016, 12:16 am
Filed under: art, Creative Process | Tags: , , , , , , ,

Over the years I’ve been a part of various schemes that are meant to help artists. Most of the schemes in NYC are schemes to improve our business skills, to make us bigger and more solid institutions. These make me nuts for reasons I have discussed many times before but recently, I’ve been involved in schemes that are meant to help give me ideas and inspirations. These make me nuts in a very different way.

I have so many ideas, folks. I have ideas for breakfast, ideas for lunch, ideas for afternoon tea, dinner and midnight snack. I am rolling in ideas. And I am grateful for that abundance of ideas. I feel I can never have to many – so I am always happy to be a part of something meant to increase my inspiration. But ideas are never my problem.

It’s like ideas are glitter. Glitter is wonderful. It makes everything it touches sparkle. Every time someone gives me more glitter, I’m going to be happy to receive it.

The thing I haven’t had is a place to PUT all this glitter. It’s pouring out of drawers, stuffed into socks, pooling in corners. When there’s no space to put my glitter or a container to store it, it can start to feel like a burden to keep receiving it. Someone gives me a handful of glitter and I’m like, “Oooooh! Glitter! Thank you!” And then I look around…Where is this going to go?

I suspect my fellow American Artists are also not short on ideas and inspiration. We’ve all seen shows and been lit up and gone home thinking, “I can’t wait to try something like that,” and then we realize that we have neither the time, the space nor the context to try that idea out. We don’t have R & D grants as some of our European colleagues do – everything we do is meant to be a product with a target audience and numbers to match. There’s not much space for glitter in the models we have. But glitter is often what we love, what we respond to. I will never refuse an idea – would never refuse a handful of glitter – but like glitter, ideas can find their way into inconvenient places and start to clog up the works if you never get an opportunity to use them or express them.

I don’t want to seem ungrateful for any program or scheme designed to give me glitter but these programs should know that giving me more glitter is not the way to increase the quality of American Theatre. I imagine that if you are not an artist, that ideas seem to be the currency for us – that increasing them would be the way to build up the bank of art. But we’ve got this covered. I’ve got so much glitter, so many ideas. I understand the possibilities. I have an aesthetic education gathered from glittery artists from around the world. I don’t need more glitter. I just need a place to play with it.

Luckily, I was recently given a space with no real strings and so I chose to use it to create my own R &D experience and am therefore incredibly grateful to be able to pull out boxes and boxes of glitter I’ve had sitting around for years. And I get more glitter every day, just because I have a place to play.

Glitter_close_up

You can give me space for glitter by becoming my patron on Patreon.
kaGh5_patreon_name_and_message

Click HERE  to Check out my Patreon Page

*

This blog is also a Podcast. If you’d like to listen to me read it to you and here additional commentary, click here.

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog and would like to give a dollar (or more!) put it in the PayPal digital hat.  https://www.paypal.me/strugglingartist




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