Filed under: art, Creative Process, theatre, writing | Tags: Movement, theatre, Vaclav Havel
Not long ago, I had the second in a series of meetings with an arts organization consultant about my theatre company. These meetings are an extraordinary gift of an opportunity to get feedback and insight from someone who has seen the births, lives and deaths of many theatre companies, large and small. After a long discussion about mission and purpose and values, he said something that made my mind split wide open. It was something along the lines of “You’re not just a theatre, you’re more like a movement.”
And I wouldn’t have expected to, but I loved this idea. I think this is because theatre companies come and go. Fifty were born just today in tiny apartments around NYC but Movements. . .Movements have a lasting effect. Movements slip in and make a difference. Movements can empower people, can shift the balance of things, can show people things they hadn’t seen before. Movements can be political, sure – like the civil rights or feminist movement but they are also revolutionary artistically – like the impressionist, the cubist, the futurist, the modernist movements. Movements move things. Or maybe more than things, they move people. They move the landscape, they move the conversation.
That is for me. I’ll sign up for that. And somehow framing my work in this context helps me weather the storms of art-making a little bit better. If the establishment doesn’t give me its resources or its prizes – no problem. I’m a movement, the establishment isn’t supposed to like me. If I find myself at the margins of things, no problem, that’s where movements thrive.
When I have trouble marketing my work well? As this advisor said, “For you, it’ll be less about marketing and more about spreading the word.”
And that is music to my marketing-weary ears.
What I will now do with this new perspective on my work, I’m not yet sure – but what is clear to me is how buoyed I feel by this idea. It feels as though I had a great anvil untied from my feet and now I’m free to bob in the sea, free to let the movement move me.
“You do not become a ”dissident” just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society.”
― Václav Havel
I’m not yet at the Enemy of Society Stage yet but I guess that’s how I know I’m not at the end.
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