Songs for the Struggling Artist


Tortoising and Hare-ing

The afternoon that the lullaby came to me, I was in the middle of working on a big long term project. Or rather, I was preparing to continue the work on a big long term project. But the lullaby called itself into existence and before the day was over. I had not only written a song but recorded it, too.

Most things I do are not like this. Most things are bigger, more unwieldy, the sorts of projects that can take years. But occasionally a shorter lightening rod piece will flash through.

When I got the burst of lullaby inspiration, I thought, “Oh, I’m a hare! And my artist friend laboring over an epic work is a tortoise! Artists come in different speeds!” But I very quickly realized that this was wrong. I have at least one project that I’ve been working on for a decade and a half. So, I’m definitely not typically super fast. What I realized, though, is that an artist isn’t either a tortoise or a hare. They’re both. Sometimes we’re the tortoise, inching along, headlights only illuminating a few feet ahead and sometimes we’re the hare, dashing ahead to a finish line in an instant. Sometimes we’re both – we send one slow project along the track and then send another to quickly dash ahead. (I also recognize that, in the fable, the hare loses but I’m sure there are races that hare could win.)

I suspect a rich artistic life has a bit of both styles in it. In the midst of working through a novel, for example, it is a gift to see an entire creative process come together in an afternoon. Most artists I know have those big pieces that they chip away at slowly, like marble carved into shape one knock of the chisel at a time, so to take a break and to do a quick sketch can be very refreshing. Simultaneously, if you’re in a space of making a series of short term projects that you can finish in a day, maybe adding a more ambitious project with multiple steps and even an invisible deadline will give you a good shift in perspective.

It’s not that some artists are tortoises and some are hares. It’s that some projects are short races and some are long. Some ideas are hares on a quick track and others are tortoises on a marathon, slowly plodding forward to an epic finish. We are not tortoises or hares, we are either tortoising or hare-ing. The trick is knowing which is which.

This blog is also a podcast. You can find it on iTunes.

If you’d like to listen to me read a previous blog on Anchor, click here.

screen-shot-2017-01-10-at-1-33-28-am

Every podcast features a song at the end. Some of those songs are now an album of Resistance Songs, an album of Love Songs and More. You can find them on Spotify, my websiteReverbNation, Deezer and iTunes

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You can help support both my tortoise and my hare projects

by becoming my patron on Patreon.

Click HERE to Check out my Patreon Page

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Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog (but aren’t into the commitment of Patreon) and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist

 



“He just came with the building”

An artist has died. He got cancer and some other things and he died in the prime of his artistic life. I did not know him well but I knew of some of his struggle and I knew his artistic skill and promise. He was a composer (an art which is incredibly demanding and does not pay well – except for a very privileged few) and worked as a pianist for many years at a well-known arts institution.

After the artist had worked there for some time, that arts institution finally managed to provide some of its long-term artistic staff some health insurance. This was an important gesture and I can attest to the fact that it doesn’t happen everywhere. I think I know around about when this gesture happened. I was still working as a Teaching Artist when arts organizations all over the city suddenly started making its long term artistic staff actual employees. Apparently, they’d come under some scrutiny for getting away with paying all of us as freelancers for so many years. But even in that flush of sudden employment and a sheaf of W-2s where I once had 1099s, no one ever offered me health insurance I could afford. So this arts institution, where the artist worked, did something really good. And for a brief while, the artist experienced some actual security. He had health insurance and a bit of regular work.

Then, after they’d gotten used to it, the arts institution decided to withdraw the health insurance from those they’d previously provided it for. They didn’t fire those folks. They just took away their health insurance in order to save a little money. It was probably just a line item on a budget to them. The arts institution took away the artist’s health insurance and very soon thereafter, the artist got sick. He’d had health insurance and then it was gone and then he got ill. His friends set up a Go Fund Me – but healthcare is expensive and they did not reach the goal.

Maybe even if the artist’s Go Fund Me campaign had been fully funded or he’d still had health insurance, he would have died anyway. But also maybe not. I can’t help feeling like the arts institution has his blood on their hands. I feel like they killed him.

A few months later, the arts institution provided a free space for the artist’s memorial performance. The titular head of the arts institution took to the stage to welcome everyone to his building. He made a speech about the dearly departed artist and said he didn’t know dates or anything but he’d known the artist for ages. He said “He just came with the building. He’d just always been there.”

And I’d already been wishing I had a pile of rotten tomatoes to throw at this guy who was getting all kinds of praise for “generously donating the space” when his organization so egregiously contributed to his healthcare situation. But when he said this thing about the artist just coming with the building, I wanted a whole truck of rotten fruits and vegetable to throw at him. An arts institution decides to take away an artist’s health insurance, as a result he dies and then the arts institution gets to look like a hero for giving up their space for a day? And THEN “he just came with the building”?!?!?!? I mean. You couldn’t ask one of your assistants to tell you how long he’d worked there?

And of course you took his health insurance away. He’s just part of the building. Building fixtures don’t need health insurance.

Of course he’s just part of the building. That explains why, despite many years of knowing him, you never once listened to one of his compositions. Parts of buildings don’t have their own artistic work, they are just part of the landscape. And this is how artists are often regarded – not as human beings making art that have needs just like any other human being – but as part of the atmosphere. We’re like the furniture. You use it for a while and then when you get a new interior designer, you throw it out for the next set.

This Arts Institution Head managed to express, in one dumb joke that was clearly meant to be charming, the way so many artists are viewed in institutions. Not as the very reason for the institution. Not as vibrant participants in the artistic life of the place. Not as contributors. Not even as artists. Just – part of the building.

The building just comes with artists – whose lives are as inconsequential as the dust that gets swept up on Sunday nights.

And so the artist’s work will likely be lost to the ages. And the building will stand. And another artist will come to be seen as part of the building eventually.

 

This blog is also a podcast. You can find it on iTunes.

If you’d like to listen to me read a previous blog on Anchor, click here.

screen-shot-2017-01-10-at-1-33-28-am

Every podcast features a song at the end. Some of those songs are now an album of Resistance Songs, an album of Love Songs and More. You can find them on Spotify, my websiteReverbNation, Deezer and iTunes

*

You can help be more than part of a building

by becoming my patron on Patreon.

Click HERE to Check out my Patreon Page

*

Writing on the internet is a little bit like busking on the street. This is the part where I pass the hat. If you liked the blog (but aren’t into the commitment of Patreon) and would like to give a dollar (or more!) put it in the PayPal digital hat. https://www.paypal.me/strugglingartist