Filed under: art, Gender politics, Racism, resistance | Tags: art, Election2016, fascism, four alarm fire, great art, marginalization, protest, repressive regimes, resistance
As soon as it became clear that the worst had happened on November 8th, my friends and fellow artists began saying things like, “Well, it’s horrible. But at least we’ll get some great art out of this.” and “Repressive regimes make for great art movements.” Ethan Hawke in a recent Hollywood Reporter interview said, “The Artistic Community thrives when fascists are in charge.”
While I understand the impulse to look on the bright side, this is not really a bright side. Nor am I 100% sure that this is true. I think, artists make great work in repressive regimes in spite of the repressive conditions, not because of them.
It might be comforting to imagine the great art ahead but meanwhile, every artist I know is practically paralyzed by the current political climate. Everyone I know is just barely holding on. Where is this great art going to come from?
Listen, I’m marginalized already due to my gender. People of color are marginalized already. People with Disabilities are marginalized already. People without economic privilege are marginalized already. If we’re not in the mainstream now, how will our voices be heard when all the progress on social issues starts to fall apart? We’ve been making the greatest art we can on the margins but in the new landscape, what hope is there?
If feels like the most vulnerable artists, already straining to break through, are now vulnerable on multiple fronts. Sure, there were some great Jewish artists during the Holocaust. But not as many as there had been. And where are the great women artists of the fascist era? Trans artists? Artists with disabilities? I mean – sure. Let’s celebrate the possibility that we MIGHT survive and we MIGHT make great work despite the oppressive regime that we are likely about to experience.
Sure – yeah – let’s get excited about some paintings that a white dude might make in response to the very real life threatening conditions for women, for Muslims, for LGBTQ people, for people of color and people with disabilities.
It is cold comfort to me. My feeling is that mainstream culture wasn’t listening to us before and I have no real hope that we’ll be listened to now that we’re looking at a fascist future. Before November 8th, the real I hope I held for my work as an artist were all the progressive policies that encouraged and supported the inclusivity of women. I bet the same is true for other marginalized communities.
If we’re busy fighting for survival, if all the resources are engaged in fighting for justice, I don’t see a lot of hope for making inroads in artistic equality. We have been making great work all along and the mainstream culture gave no shits. Why would it start listening now, as alarms are ringing, as people are screaming, as the sprinklers rain down on the burning building?
In times of crisis, most things return to a kind of status quo. People rely on the familiar when the chips are down. And the familiar is sexist, racist, homophobic and ableist.
Is there a way to shift this? Is there a way to respond to the four alarm fire in politics and simultaneously make space for artists on the margins? I don’t know. But I certainly don’t expect it.
I will keep making art, as I have always done but I don’t do it with any hope or expectation of it being recognized as great at some point just because I’m doing it in the new repressive world order. And I will not celebrate the loss of progress for all the vulnerable, marginalized artists, already at the edge.
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